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Wrapped in Velvet
Thick with red eyes glowing,
night descends into the house,
100,000 billion galaxies
expanding and spiraling above.
Alone, does fear always seep
into the thick soles of our feet?
Sometimes an unfinished crossword
left in a chair, a sweater
draped over the arm
reminds me of your absence.
I’ve been taking walks,
hunting for small treasures,
surrendering to mystery’s seduction –
water carves into stone,
roots branch out like veins,
unearthed bones
piece together histories.
How many have a tooth saved,
wrapped in velvet, buried
in the back of a drawer?
I keep the hand-like bones
of a flipper found in the sand.
The bones of our hands
are particularly complicated,
especially the fingers –
what we cannot hold
and what we can.
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Skin
Skin:
(1) Snakes shed it in the woodpile
(2) A mummy's is more brittle than ancient
parchment
(3) If cut with the jagged edge of a mirror
it confines you to psyche ward
(4) It stabilizes the body’s temperature
You can only sense the blood
coursing underneath –
you can’t peel back
the layers and dive in.
Touch the surface –
the pores, moles, the occasional hard
scars that hint at ancient entrances -
the belly-button that spirals inward,
scars of childhood mosquito bites
scratched to scabs and picked,
small bloodlettings.
Beyond the surface
(sweaty, powdered, tan, light, dark,
freckled, wrinkled, smooth, sagging,
lifted, dry, oily, oiled, shaved, plucked,
stitched, tattooed, pierced, bruised)
feel
the swell of belly, the cut
and reconstructed right breast
the sharp bone
that rages underneath.
Move your hand slowly.
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20" X 20" |
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24" X 24"
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18" X 18"
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I turned to writing poetry about twelve years ago when I came to an impasse in my relationship with painting. I explored other forms of visual art while continuing to write and fell in love with monoprints, enjoying their exploratory, experimental nature.
As a result of taking a workshop this summer with an inspirational teacher, Tim Hawkesworth, I have begun painting with oils again. Although the paintings are not directly connected to any one poem, they begin in what I call "the place of poety".
My poetry has appeared in a variety of literary journals and a chapbook entitled, Turnings was published in 2009. Poems are forthcoming in "Calyx, A Journal of Art and Literature by Women" either the Vol. 26 no. 3, Summer 2011, or Vol. 27 no. 1 Winter 2012, and in "Salamader", the June 2011 issue.
View Monoprints, Bio and Exhibitions on the Print Studio pages.
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